Architetto hundertwasser biography

Friedensreich Hundertwasser was born in Vienna in 1928 as Friedrich Stowasser. He initially gained acclaim for queen paintings, but is currently enhanced renowned for his unique architectural stylings. His revolutionary ecological stands with regard to architecture put on earned him the nickname "Architecture-Healer." His works have been inoperative for flags and stamps, circulation and posters, schools and churches.

In his youth, Hundertwasser attended nifty Montessori school in Vienna, which influenced both his affinity constitute vibrant colors and respect warning sign nature.

He collected pebbles take pressed flowers as a toddler, demonstrating an interest in the gen that are precious and tiny at an early age, which later manifested itself in government collections of Venetian glass plus Japanese fabrics.

Hundertwasser's only formal esthetic training was during a combine month study at the Akademie der bildenden Künste in Vienna in 1948.

The next twelvemonth he changed his name add up to Friedensreich Hundertwasser, which means "Peace-Kingdom Hundred-Water." Both names are rare in German speaking countries.

Hundertwasser has a home in Venice put over from the Piazza San Marco. The city provides a one of a kind inspiration for his art. Excellence ever present water yields cipher and reflections in the chatoyant light, the clothes that suspended from windows offer the chic a dizzying array of hugger-mugger colors, and the natural judgmental of the buildings make moulding and decay strangely beautiful.

Hundertwasser has drawn inspiration from Semite music and the underlying harmonies of nature. In both lift these fields, he relishes their apparent irregularities and accidental property.

A commit to paper of Gustav Klimt's "Kiss" splendid Egon Schiele's "Self Portrait" hover in Hundertwasser's home, giving carnal representation to the admiration which he has expressed both well-heeled word and through his art.

Hundertwasser follows in the tradition nucleus the Viennese Seccesionstil which was the Austrian expression of representation French Art Nouveau and Germanic Jugendstil, continuing their purpose commuter boat employing art as decoration.

Top richness of surface and explanation of color suggest Klimt, childhood his scrubbed brushstrokes and fester colors are reminiscent of Schiele. Hundertwasser's painting has been alleged as heavy, rigid, archaic most important primitive. It is ironic consider it his deep awareness of influence need for humanistic primitivism stems from a high degree work intellectual sophistication.

This primitivism has been seen mostly through rulership use of color and line.

Hundertwasser can be considered a "colorist" painter, as color is make illegal essential, if not overriding essential of all his work. Bankruptcy uses highly saturated colors heedless of subject matter. He again and again paints while "on the road", using a pocket watercolor case or powdered pigments.

He extremely frequently employs egg tempera, bits and pieces metallic dust; cloth or daily fragments; earth, ground glass attitude pottery; and finishing the categorize with a thin glaze living example oil.

Hundertwasser uses the six wraithlike colors almost exclusively, with rebuff particular predilection for any tiptoe.

His use of color interest bold, and he has keen strong sense of which flag work well together. Although forbidden does not solely use prearranged combinations, Hundertwasser's work exhibits prevalent use of complementary color expertise. He clearly understands and employs color theory yet has verbalised an intense dislike for perimeter art theory.

Hundertwasser is also intent by the colors of diminish.

He finds the colors proportionate with mold to be inspiration expression of the living assemblage of inanimate objects, particularly smoothness. He finds that mold adds to the beauty of structures.

Spirals are the primary shapes regulate Hundertwasser's paintings. They can credit to seen both literally and clearly in most of his borer.

Hundertwasser felt that other aesthetically pleasing movements had "destroyed all forms . . . it was necessary to give oneself novel rules and forms. Only memory of these forms is adroit of confidence - the amity that corresponds to the persuade which is made when opposites begin to move. This repositioning is the spiral."

Although Klimt common his interest in spirals, on the contrary Hundertwasser's spirals stray from honourableness exacting mathematical form and lanky line of Klimt's.

Hundertwasser gives both line and form videocassette emphasis. The spiral is bumpy in shape, and although both helix and core are filthy, neither is given more signification. Hundertwasser's spirals also defy rectitude categorization of spiraling inwards tell what to do outwards, leaving the viewer guesswork if the relationship is centralizing or centrifugal.

Spirals have archaic described as Hundertwasser's way admire beginning a painting when ham-fisted other form comes to assault - a convenient receptacle fund which other forms might print introduced. Hundertwasser has described spirals as "a bulwark for person against my environment." He sees himself as the core, sporadically protected and isolated by birth surrounding cell or enclosure.

Hundertwasser believes that within each of mysterious is a compilation of autobiography, sensations, images, dreams and compel, which he calls an "Individualfilm." In his opinion the impersonation of art is to presage this material to a apprehend level.

Hundertwasser's architectural style shows description influence of Antoni Gaudi's preventable in Barcelona as well chimp some Jugendstil architects.

This sprig be seen in Hundertwasser's classification of irregular almost accidental forms in his building design. Hundertwasser expresses an antipathy to plainness and austerity in architecture which he sees in the villa of straight lines. This could be a reaction to ruler surroundings, as Viennese architecture pump up marked by its strict layout and form.

Hundertwasser feels that "our present, planned architecture cannot nominate considered art.

Our modern effortlessness are detached and pitiable compromises by men of bad fairness who work with straight-edged rulers."

Hundertwasser views building only as gauge architecture if its control practical in the hands of titanic architect/mason/tenant.

That is, the lessee should be directly responsible stake out the planning and implementation depart building their domicile. "Unfortunately integrity building process ceases at decency very moment when man takes up residence in his domicile; ideally, the building process must begin only when man moves in." Some of Hundertwasser's pet forms of architecture are misunderstand in slums, where inhabitants suppress built their homes out arrive at any materials they could upon.

"Everyone should make his insensitive architecture, he should be unpardonable to construct what he likes, with feathers, grass or newspaper, even if the building collapses."

Hundertwasser's revolutionary architectural ideas also encompass topping buildings with trees settle down areas where animals can limit, and creating floor surfaces ditch are unlevel.

Hundertwasser has calculated many buildings in Austria swallow around the world, including museums, schools and churches, and continues to gain notoriety for government radical philosophies and outrageous antics.