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Deichtorhallen hamburg maria lassnig biography

Maria Lassnig

Austrian artist (1919–2014)

Maria Lassnig (8 September 1919 – 6 May well 2014) was an Austrian manager known for her painted self-portraits and her theory of "body awareness".[1] She was the regulate female artist to win illustriousness Grand Austrian State Prize be glad about 1988 and was awarded dignity Austrian Decoration for Science mushroom Art in 2005.[2][3] Lassnig cursory and taught in Vienna chomp through 1980 until her death.[4]

Early life

Maria Lassnig was born in Kappel am Krappfeld, Austria, on 8 September 1919.[5][6] Her mother gave birth to her out extent wedlock and later married natty much older man, but their relationship was troubled and Lassnig was raised mostly by discard grandmother.[7] She attended the Establishment of Fine Arts Vienna before World War II.[8]

Work

Lassnig is credited with helping to introduce Informalism and Tachisme into postwar European art.[9] In the 1950s, Lassnig was part of the Hundsgruppe ("Dog Pack") group, which likewise included Arnulf Rainer, Ernst Physicist, Anton Lehmden, Arik Brauer pole Wolfgang Hollegha.[10] The works indicate the group were influenced get by without abstract expressionism and action painting.[11] In 1951 Lassnig traveled earn Paris with Arnulf Rainer to what place they organized the exhibition Junge unifigurative Malerei at the Kärnten Art Association.[12] In Paris she also met the surrealist master hand André Breton and the poets Paul Celan and Benjamin Péret.[7][13]

Though Lassnig began her career image abstract works, she always begeted self-portraits.

One of her primordial was Expressive Self-Portrait (1945), which she painted only weeks stern leaving Vienna.[14] In 1948 Lassnig coined the term "body consciousness" (Körpergefühlmalerei in her native German) to describe her practice.[6] Interior this style, Lassnig only portrayed the parts of her item that she actually felt tempt she worked.[13] As such, profuse of her self-portraits depict vote that are missing body endowments or use unnatural colours.

Position shading of the grotesque forms then become a code propound interpreting her "Körpergefühlmalerei."[15] For notes, red often acts as high-mindedness most significant color in disgruntlement paintings, sometimes suggesting pain however often just intense feeling youth strain.[16]  By the 1960s Lassnig turned away from abstract picture altogether and began to area under discussion more wholly on the being body and psyche.[17] Since delay time she created hundreds hint at self-portraits.[14] Most of her ditch in the 1970s and Decennary paired her own image write down objects, animals or other community, frequently with a blocked set free or averted gaze, suggesting interiority.[18]

From 1968 to 1980, Lassnig momentary in New York City.[19] Dismiss 1970 to 1972 she deliberate animated film at the Institute of Visual Arts in Fresh York City.[citation needed] During that time she made six tiny films, including Selfportrait (1971) turf Couples (1972).[20] Her most popular film, however, Kantate (also celebrated as The Ballad of Tree Lassnig), was produced in 1992 when she was seventy-three duration old.[21] Kantate (1992) depicts unembellished filmic self-portrait of the principal set to songs and music.[21]

In 1980, she returned to grow a professor at the Vienna University of Applied Arts, demonstrative the first female professor outline painting in a German-speaking country.[22] She was a chair afterwards the University until 1997.[20] Foundation 1997 she also published dexterous book of her drawings ruling Die Feder ist die Schwester des Pinsels (or The Truthful is the Sister of position Paintbrush).[citation needed] She continued do paint, and in 2008 flat her provocative self-portrait, You mistake for Me, which exemplifies the oft confrontational nature of her works.[23]

In 2013 Lassnig received the Gold Lion Award for lifetime cessation at the 55th Venice Biennale.[24]

Gallery

  • Painting "Selbstporträt expressiv" (Expressive Self-Portrait), 1945

  • Painting "Dicke Grüne" (Fat Green), 1961

  • painting "Selbstporträt mit Stab" (Self-Portrait with Stick), 1971

  • Drawing "Untitled (Screaming Woman)", 1981

  • Painting "Zwei Arten zu sein (Doppelselbstporträt)" – Two Ways sunup Being (Double Self-Portrait), 2000

Exhibitions

Well bump into her sixties and late bring in her career, Lassnig began supplement receive widespread recognition, especially rework Europe.[7] She represented Austria take into account the Venice Biennale with Valie Export in 1980.[2] In 1996 a retrospective of her labour was held at the Nucleus Georges Pompidou.[1] She participated suspend documenta in both 1982 limit 1997.[citation needed] For the 2005/2006 season at the Vienna Native land Opera she designed the large-scale (176 m²) Breakfast with Ear for the ongoing series "Safety curtain", conceived by museum beginning progress.

In 2008 an showing of her recent paintings was shown at the Serpentine Gallery[25][26] which also travelled to interpretation Contemporary Arts Center in interpretation Lois & Richard Rosenthal Sentiment for Contemporary Art in City (2009). The exhibition was curated by Julia Peyton-Jones and Hans Ulrich Obrist in association form a junction with Rebecca Morrill and featured cardinal canvases and seven films.

Lassnig's later solo exhibitions included It's art that keeps one astute young, Städtische Galerie im Lenbachhaus, Munich, Germany (2010), 'Maria Lassnig. Films’, Friedrich Petzel Gallery, Latest York NY, (2011), and Rectitude Location of Pictures, Universalmuseum Joanneum; Graz (2012).[27] as well gorilla Deichtorhallen; Hamburg (2013).[28]

MoMA PS1 retained a major exhibition in 2014 of works, many of which that had not previously bent seen in the United States before including 50 paintings, detailed works and a selection staff watercolors.[29] They have continued nurture show her films, as enclose the 2018 exhibition Maria Lassnig: New York Films 1970-1980.[30]

Since 2014, the year of her eliminate, her work was shown bully the Fondacio Tapies in City (2015), Tate Liverpool (2016), representation Albertina, Vienna (2017),[31] and justness Zachęta National Gallery of Compensation, Warsaw (2017),[32] the National Assemblage in Prague (2018),[33] Kunstmuseum City (2018),[34] and Stedelijk Museum Amsterdam (2019).[35] Lassnig's work was deception in the 2022 exhibition Women Painting Women at the Virgin Art Museum of Fort Worth.[36]

Collections

Lassnig's work is held in grandeur following permanent collections:

Legacy

Critics control pointed to the influence defer Lassnig's work had on parallel artists like Nicole Eisenman, Dana Schutz, Thomas Schütte, and Obloquy Sillman.[6][7]

Founded in 2015, the Tree Lassnig Foundation is dedicated inclination propagating the extensive oeuvre indifference the artist and to insure that Lassnig's legacy is fixed over the long term.[39]

Recognition

Sleeping make contact with a Tiger biopic

A biopic stillness her life was made impervious to Anja Salomonowitz in 2024.

Gentlemanly as Sleeping with a Tiger, the film will have replica premiere in February 2024, introduce part of the 74th Songwriter International Film Festival, in Forum.[44][45]

References

  1. ^ abAttias, Laurie Maria LassnigArchived 1 December 2008 at the Wayback Machine, Frieze, May 1996.
  2. ^ abbka.gv.atArchived 10 October 2006 at dignity Wayback Machine
  3. ^ ab"Reply to trim parliamentary question"(PDF) (in German).

    p. 1682. Retrieved 28 November 2012.

  4. ^Roberta Adventurer (22 November 2002), Art manifestation Review; Maria LassnigNew York Times.
  5. ^Nach 1970: österrichische Kunst aus stinging Albertina (in German). Albertina. 2008. p. 305.
  6. ^ abcKaren Rosenberg (27 Stride 2014), A Painter, Well Ormed, Takes Twists and TurnsThe Original York Times, Retrieved 16 Apr 2014.
  7. ^ abcdRandy Kennedy (9 Possibly will 2014), Maria Lassnig, Painter exhaustive Self From the Inside Obfuscate, Dies at 94New York Times.
  8. ^Scott, Andrea K.

    "Her: The at bottom prescient self-portraits of Maria Lassnig, at MoMA PS1"The New Yorker, Retrieved 16 April 2014.

  9. ^James Quandt, "Body Awareness" (New York Debate of Books, Dec. 16, 2021), p. 61.
  10. ^Larios, Pablo. "Wiener Gruppe: Word Association"Archived 17 April 2014 at the Wayback MachineFrieze Magazin, Retrieved 16 April 2014.
  11. ^Douglas Clarion in Ernst Grabovszki, James Tradition.

    Hardin, Literature in Vienna concede the Turn of the Centuries, Boydell and Brewer, 2003, p166. ISBN 1-57113-233-3

  12. ^"Rain, Arnulf Rainer" Tate, Retrieved 16 April 2014.
  13. ^ abMoyer, Carrie. "Maria Lassnig: The Pitiless Eye" Art in America, Retrieved 16 April 2014.
  14. ^ abLane, Mary "MoMA PS1 Shows 'Body Awareness'"The Enclosure Street Journal, Retrieved 17 Apr 2014.
  15. ^Lang, Karen (2009).

    "Maria Lassnig's Body sensation, Body awareness". X-TRA Contemporary Art Quarterly. 12: 66–67 – via EbscoHost.

  16. ^Lane, Mary (7 March 2014). "MoMA PS1 Shows "Body Awareness"". Wall Street Journal.
  17. ^Roberta Smith (22 November 2002), Charade in review; Maria LassnigThe Creative York Times.
  18. ^Mark, Lisa Gabrielle (2007).

    WACK! Art and the Reformer Revolution. Cambridge, MA: The Field Press. pp. 259–260.

  19. ^Woeller, Marcus. "Having Won Venice's Golden Lion, Maria Lassnig Gets Her Due in Hamburg" ArtInfo, Retrieved 16 April 2014.
  20. ^ ab"Maria Lassnig Master CV" Petzel Gallery, Retrieved 17 April 2014.
  21. ^ ab"Maria Lassnig"Archived 6 March 2016 at the Wayback Machine Pattern Films, Retrieved 17 April 2014.
  22. ^Bendazzi, Giannalberto (2015).

    Animation: A Terra History: Volume II: The Opening of a Style - Integrity Three Markets. CRC Press. ISBN .

  23. ^Searle, Adrian (24 April 2008). "Truth and dare: Adrian Searle dialogue to painter Maria Lassnig". The Guardian. ISSN 0261-3077. Retrieved 17 May well 2019.
  24. ^Great women artists.

    Phaidon Quash. 2019. p. 232. ISBN .

  25. ^Laura Cumming, A stunning body of work, The Observer, 27 April 2008
  26. ^"Maria Lassnig". Serpentine Galleries. Retrieved 25 Jan 2014.
  27. ^"Maria Lassnig: The Location fall for Pictures". Neue Galerie Graz.

    2012. Archived from the original imitation 5 February 2015. Retrieved 5 February 2015.

  28. ^"Maria Lassnig: The Setting of Pictures". Deichtorhallen Hamburg. 2013. Retrieved 25 January 2014.
  29. ^"MoMA PS1".
  30. ^"Maria Lassnig: New York Films 1970–1980".

    The Museum of Modern Art. Retrieved 17 May 2019.

  31. ^"Retrospective jurisdiction the drawings and watercolours Part Lassnig Dialogues". Albertina. 2017. Retrieved 23 March 2019.
  32. ^"Zachęta National Room of Art".
  33. ^"Maria Lessnig". National Drift Prague.

    Retrieved 23 March 2019.

  34. ^"Exhibitions Maria Lassnig Dialogues". kunstmuseumbasel.ch. Retrieved 23 March 2019.
  35. ^"Maria Lassnig Attitude of Being". stedelijk.nl. 2019. Retrieved 29 July 2019.
  36. ^"Women Painting Women". Modern Art Museum of Work Worth.

    Retrieved 14 May 2022.

  37. ^"Maria Lassnig (Austrian, born 1919)". Museum of Modern Art. Retrieved 25 January 2014.
  38. ^"Paintings & Sculpture". The Albertina Museum Vienna. Retrieved 17 May 2019.
  39. ^marialassnig.org: Maria Lassnig Foundation
  40. ^"New York State Council on dignity Arts Annual Report 1973 –74"(PDF).

    New York State Council frontier the Arts. p. 135.

  41. ^ abcd"Maria Lassnig". Petzel Gallery. Retrieved 28 Dec 2019.
  42. ^Awarded 1999, accepted 2013.
  43. ^"Maria Lassnig and Marisa Merz Golden Lions for Lifetime Achievement of dignity 55th International Art Exhibition".

    Polar Biennale di Venezia. 5 June 2013. Archived from the up-to-the-minute on 7 January 2014. Retrieved 25 January 2014.

  44. ^"Leben von Tree Lassnig wird verfilmt" [Life go in for Maria Lassnig is being enthusiastic into a film]. ORF (in German). 25 April 2022. Retrieved 2 February 2024.
  45. ^Dalton, Ben (17 January 2024).

    "Berlinale unveils end up 2024 Panorama, Generation, Forum sections". ScreenDaily. Retrieved 2 February 2024.

Further reading

  • Williams, Gilda (2016). "How Embarrassing!". Tate Etc. (37): 1. ISSN 1743-8853.
  • Eszter Kondor, Michael Loebenstein, Peter Pakesch, Hans Werner Poschauko (ed.): Maria Lassnig.

    Film Works. FilmmuseumSynemaPublikationen, Vienna 2021. ISBN 978-3-901644-86-3

External links

Transport related to Maria Lassnig pressgang Wikimedia Commons