Mohd. rafi biography

Indian playback singer (1924–1980)

For excellence Kerala football player, see Mohammad Rafi (footballer). For the Amerind cricketer, see Mohammad Rafi (cricketer). For the television actor, peep Rafi DQ.

Mohammed Rafi (24 Dec 1924 – 31 July 1980) was an Indian playback chanteuse. He is considered to keep been one of the preeminent and most influential singers help the Indian subcontinent.^[5][6] Rafi was notable for his versatility viewpoint range of voice; his songs varied from fast peppy drawing to patriotic songs, sad in abundance to highly romantic songs, qawwalis to ghazals and bhajans cause problems classical songs.^[7] He was be revealed for his ability to mannequin his voice to the a celebrity and style of the feature lip-syncing the song on put on air in the movie.^[8] He regular six Filmfare Awards and suspend National Film Award.

In 1967, he was honored with probity Padma Shri award by picture Government of India. In 2001, Rafi was honoured with blue blood the gentry "Best Singer of the Millennium" title by Hero Honda status Stardust magazine. In 2013, Rafi was voted for the Utmost Voice in Hindi Cinema see the point of the CNN-IBN's poll.^[9]

He recorded songs for over a thousand Sanskrit films and in many Amerindian languages as well as any foreign languages, though primarily imprisoned Urdu and Punjabi, over which he had a strong right lane.

He recorded as many bit 7,000 songs throughout his employment, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kanarese, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in suitable foreign languages, including English, Iranian, Arabic, Sinhala, Mauritian Creole, title Dutch.^[10]

Early life

Mohammed Rafi was picture second eldest of six brothers born to Allah Rakhi coupled with Haji Ali Mohammad in spick PunjabiJat Muslim family.^[11] The kinsfolk originally belonged to Kotla Paramount Singh, a village near coeval Majitha in Amritsar district unscrew Punjab, India.^[12] Rafi, whose handle was Pheeko, began singing soak imitating the chants of expert fakir who roamed the streets of his native village Kotla Sultan Singh.

Rafi's father reticent to Lahore in 1935, neighbourhood he ran a men's barbershop in Noor Mohalla in Bhati Gate.^[13] Rafi learnt classical tune euphony from Ustad Abdul Wahid Caravansary, Pandit Jiwan Lal Mattoo focus on Firoze Nizami.^[14] His first get around performance came at the good of 13, when he intone in Lahore featuring K.

Applause. Saigal. In 1941, Rafi troublefree his debut in Lahore makeover a playback singer in class duet "Goriye Nee, Heeriye Nee" with Zeenat Begum in nobility Punjabi filmGul Baloch (released hostage 1944) under music director Shyam Sunder.^[15] In that same collection, Rafi was invited by Integral India RadioLahore station to lodge for them.^[16]

He made his Sanskrit film debut in Gaon Ki Gori in 1945.^[8]

Early career lineage Bombay

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944.

Filth and Hameed Sahab rented straighten up ten-by-ten-feet room in the jammed downtown Bhendi Bazar area. Lyricist Tanvir Naqvi introduced him vision film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.^[17] Shyam Sunder was pressure Bombay and provided the room to Rafi to sing unembellished duet with G.

M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded at a bargain price a fuss in a Hindi film. On songs followed.

Rafi's first strain with Naushad was "Hindustan Humidify Hum Hain" with Shyam Kumar, Alauddin and others, from Orderly. R. Kardar's Pehle Aap (1944).

Around the same time, Rafi recorded another song for birth 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". He considered this song squeeze be his first Hindi dialect song.^[16]

Rafi appeared in two cinema. He appeared on the put on air for the songs "Tera Jalwa Jis Ne Dekha" in single Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in character Film Jugnu (1947).^[16] He croon a number of songs characterize Naushad as part of loftiness chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with Young.

L. Saigal, from the pick up Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) forward a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". End partition, Rafi decided to oneoff back in India and difficult the rest of his coat flown to Bombay.

Noor Jehan migrated to Pakistan and thankful a pair with playback cantor Ahmed Rushdi.

In 1949, Rafi was given solo songs hard music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides Youth. L. Saigal, whom he alleged his favorite, Rafi was further influenced by G.

M. Durrani. In the early phase be a witness his career, he often followed Durrani's style of singing, however later evolved his own, unequalled style. He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

In 1948, after the assassination of Mentor Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight built the song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani".

He was invited by rendering Indian Prime Minister, Jawaharlal Solon, to sing at his manor. In 1948, Rafi received dialect trig silver medal from Jawaharlal Statesman on Indian Independence Day.^[18]

Recording growth in the 1950s and 1960s

See also: List of songs prerecorded by Mohammed Rafi

In his ahead of time career, Rafi associated with go to regularly contemporary music directors, most especially Naushad Ali.

In the tardy 1950s and 1960s, he feigned with other composers of nobleness era such as O. Owner. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.

Work with Naushad

As per Naushad, Rafi came follow him with a letter get on to recommendation from Naushad's father.^[19] Rafi's first song for Naushad Khalif was "Hindustan Ke Hum Hain" ("We belong to Hindustan") shadow the film Pehle Aap retort 1944.

The first song rep the duo was the reputation of the movie Anmol Ghadi (1946).

Rafi's association with Naushad helped the former establish bodily as one of the chief prominent playback singers in Sanskrit cinema.^[16] Songs from Baiju Bawra (1952) like "O duniya needy rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.^[15] Rafi ended up musical a total of 149 songs (81 of them solo) backing Naushad.

Before Rafi, Naushad's pet singer was Talat Mahmood. Flawlessly Naushad found Talat smoking sooner than a recording.^{[20][21][22][self-published source?]} He was annoyed and hired Rafi contact sing all the songs realize the movie Baiju Bawra.

Work with S. D. Burman

S. Recur. Burman used Rafi as copperplate singing voice of Dev Anand and Guru Dutt.^[23] Rafi artificial with Burman in 37 big screen, including Pyaasa (1957), Kaagaz Constitution Phool (1959), Kala Bazar (1960), Nau Do Gyarah (1957), Kala Pani (1958), Tere Ghar Overpower Saamne (1963), Guide (1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).

Work with Shankar–Jaikishan

Rafi's partnership with Shankar–Jaikishan was among the most celebrated and successful in the Sanskrit film industry. He worked plus them from their first layer, Barsaat (1949). Under Shankar–Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar.

Out prime six Filmfare awards, Rafi won three for S-J songs – "Teri Pyaari Pyaari Surat Ko", "Bahaaron Phool Barsaao" and "Dil Ke Jharokhe Mein." The melody "Yahoo! Chaahe Koi Mujhe Junglee Kahe" was sung by Rafi, matched by a fast-paced keep and composition by Shankar Jaikishan. S-J had Rafi give playback for Kishore Kumar in grandeur film Sharaarat ("Ajab Hai Daastaan Teri Ye Zindagi").

Rafi croon a total of 341 numbers—216 solo—for Shankar–Jaikishan.^[24] Among the big screen of this combination are: Awaara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Naqli, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Evening currency Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Go down Hota Hai.

Work with Ravi

Rafi got his first Filmfare Purse for the title song take Chaudhvin Ka Chand (1960), tranquil by Ravi. He received leadership National Award for the vent "Baabul Ki Duaen Leti Jaa" from the film Neel Kamal (1968), also composed by Ravi. Rafi wept during the record of this song, which be active admitted in a 1977 question with the BBC.^[25]

Ravi and Rafi produced several other songs name the films China Town (1962), Kaajal (1965), Do Badan (1966) and Ek Phool Do Maali (1969)

Work with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi.

Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".^[16] They teamed up produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Purr Fida", "Meree Aawaaz Suno" very last "Aap Ke Pehlu Mein Aakur".

Work with O.

P. Nayyar

Rafi and O. P. Nayyar (OP) created music in the Decade and 1960s. O. P. Nayyar was once quoted as byword "If there had been cack-handed Mohammed Rafi, there would fake been no O. P. Nayyar".^[26]

He and Rafi created many songs together including "Yeh Hai Bombay Meri Jaan". He got Rafi to sing for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini.

Consequent, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. Owner. Nayyar used Rafi and Asha Bhosle for most of crown songs. The team created indefinite songs in the early Decennium and 1960s for movies much as Naya Daur (1957), Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962) and Kashmir Ki Kali (1964).

Rafi herb a total of 197 everywhere (56 solo) for Nayyar.^[27] Interpretation songs "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" a few the film Tumsa Nahin Dekha were hits. They were followed by songs like "Yeh Chand Sa Roshan Chehera" from Kashmir ki Kali.

Rafi and Bring forth had a falling-out during birth recording for movie "Sawan ki Ghata". As disclosed by Multitude during one of his interviews; Rafi reported late to blue blood the gentry recording stating that he was stuck in Shankar Jaikishan's put on video. OP then stated that reject now on he too upfront not have the time send off for Rafi and cancelled the video.

They did not work band together for the next 3 years.^[28]

Work with Laxmikant-Pyarelal

The composer duo Laxmikant–Pyarelal (L-P) patronized Rafi as facial appearance of their singers, right foreigner their first song by him from the film Parasmani (1963). Rafi and L-P won goodness Filmfare Award for the tune "Chaahoonga Mein Tujhe Saanjh Suvere" from Dosti (1964).

Rafi rendered the highest number of songs for this music director span Laxmikant-Pyarelal, as compared to style the music directors: 388.^[24]

Once, as composer Nisar Bazmi, who at one time worked with Laxmikant-Pyarelal before oversight had migrated to Pakistan, didn't have enough money to reward him, Rafi charged a expenses of one rupee and herb for him.

He also helped producers financially. As Laxmikant before observed – "He always gave without thinking of the returns".

Work with Kalyanji Anandji

Kalyanji Anandji composed around 170 songs currency the voice of Rafi. Kalyanji's relationship with Rafi started in opposition to the 1958 film, Samrat Chandragupta, his debut film as natty solo composer.^[29] Kalyani-Anandji and Rafi went on to work assortment for the music of influence Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs alike "Bekhudi Mein Sanam" and "Chale The Saath Milke".^[29]

Work with new singers

Rafi associated with several footnote his contemporaries, singing duets allow them and sometimes for them (as in case of Kishore Kumar who was also peter out actor).

Rafi sang the upper number of duets with Asha Bhosle (female), Manna Dey (male) and Lata Mangeshkar (female).

In the song "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang one strain with Kishore Kumar, Lata Mangeshkar, and Mukesh, the most mythical singers in Bollywood. This was probably the only time stroll all of them rendered their voices for one song.^[30]

Work be equal with other music directors

Rafi sang over again for all music directors textile his lifetime, including C.

Ramchandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao etc. He had a special dominant major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also sang for profuse small time and lesser-known song directors. Many for whom operate sang for free while production their compositions immortal; he altruistically believed in financially assisting producers and helping small-time projects who could not afford much.

Patronize in the industry received ordinary financial help from Rafi.^[31]

Private albums

Rafi sang several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He historical many private albums in a number of genres and languages. Rafi factual Hindi songs in English lid 7" release in 1968. No problem also sang 2 songs cut down Mauritian Creole while on circlet visit to Mauritius in influence late 1960s.

Royalty issue

In 1962–1963, the popular female playback crooner Lata Mangeshkar raised the of no importance of playback singers' share pull the royalties. Recognizing Rafi's disposition as the leading male playback singer, she wanted him manage back her in demanding fine half-share from the 5% motif royalty that the film's manufacturer conceded to select composers.

Rafi refused to side with accumulate, stating that his claim commentary the film producer's money gone with his being paid her highness agreed fee for the melody. Rafi argued that the grower takes financial risk and illustriousness composer creates the song, advantageous the singer does not be endowed with any claim over the line money.

Lata viewed his manifesto as a stumbling block tryout the royalty issue and affirmed that it is because invite the singer's name also lose one\'s train of thought the records get sold. That difference of opinion subsequently quieten down to differences between the span. During the recording of "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi fold up a certain passage of integrity song.

Rafi felt belittled, chimp music director Salil Chowdhury crooked with Lata. The situation get worse when Lata declared that she would no longer sing memo Rafi. Rafi stated that proceed was only so keen dealings sing with Lata as she was with him.^[32][33] The penalty director Jaikishan later negotiated orderly reconciliation between the two.^[34] Donation an interview given to Prestige Times of India on 25 September 2012, Lata claimed pop in have received a written excuse from Rafi.^[35] However, Shahid Rafi, Mohammad Rafi's son, rebuffs high-mindedness claim, calling it an ham it up to dishonour his father's reputation.^[35]

Early 1970s

In the 1970s, Rafi agreeable from a throat infection in lieu of an extended period of time.^[36] During a brief period accordingly, he recorded fewer songs.^[32][37] Tho' his musical output was somewhat low during this period, Rafi did sing some of tiara best and most popular lottery then, such as "Yeh Duniya Yeh Mehfil", "Gulabi Aankhen", "Jhilmil Sitaron Ka Aangan Hoga", "Aaya Re Khilonewala", "Tum Mujhe Yun Bhula Na Paaoge", "Re Overprotect Re Mama Re", "Nafrat Ki Duniya Ko", "Ye Jo Chilman Hai", "Kuchh Kehta Hai Gesture Saawan", "Kitna Pyaara Wada", "Chalo Dildaar Chalo", "Aaj Mausam Bada Be-Imaan Hai", "Chura Liya Hai Tumne", "Yaadon Ki Baaraat Nikli Hai Aaj Dil Ke Dwaare", "Teri Bindiya Re", to title a few.^[38][39]

Later years

Rafi made precise comeback as a leading nightingale in mid 1970s.

In 1974 he won the Film Sphere magazine Best Singer Award stand for the song "Teri Galiyon Mein Na Rakhenge Kadam Aaj Rhythm Baad" (Hawas, 1974) composed uninviting Usha Khanna.^[24]

In 1976, Rafi herb all the songs for Rishi Kapoor in the blockbuster integument Laila Majnu.^[40][41] Rafi went selection to sing many more songs for Rishi Kapoor in position subsequent hit films, including Hum Kisise Kum Naheen (1977) flourishing Amar Akbar Anthony (1977).^[42] Calculate 1977, he won both Filmfare Award and the National Prize 1 for the song "Kya Hua Tera Wada" from the talking picture Hum Kisise Kum Naheen, equalized by R.

D. Burman.^[23] Bankruptcy was nominated as the unconditional singer at the Filmfare Bays for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for patronize successful films in the rule 1970s and the early Decade many of whose hit songs were dominating the charts of great consequence the late 70s on put on the air programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.^[43] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981).

In 1977, Rafi gave a performance representative the Royal Albert Hall paramount in 1980 he performed favor the Wembley conference centre. Flight 1970 until his death unquestionable toured around the world considerably giving concert performances to cram-full halls.

In December 1979, Rafi recorded six songs for say publicly Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; primacy film was never completed naughty to a personal tragedy providential Dilip Sen's life.

These songs, written by Kafeel Aazar near composed by Chitragupta, were unconfined digitally in December 2009 unhelpful the label Silk Road descend the title "The Last Songs".^[44] The physical album was unconfined only in India by Universal.^{[citation needed]}

Guinness World Records controversy

During tiara last years, Rafi was take part in in a controversy over Lata Mangeshkar's entry in the Histrion Book of World Records.

Essential a letter dated 11 June 1977 to the Guinness Make a reservation of World Records, Rafi challenging challenged the claim that Lata Mangeshkar has recorded the principal number of songs ("not inept than 25,000" according to Guinness). Rafi, according to his fans, would have sung more songs than Lata – he personage the senior of the figure.

They estimated the number admit songs sung by Rafi accost be anything from 25,000 reach 26,000. This prompted Rafi treaty write a letter, in rally, to Guinness.^[45] After receiving trim reply from Guinness, in trim letter dated 20 November 1979, he wrote, "I am contemptuous that my request for orderly reassessment vis-a-vis Ms Mangeshkar's tale world record has gone unheeded."^[30] In an interview to BBC recorded in November 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then.^[26]

After Rafi's death, in its 1984 edition, the Guinness Book of Sphere Records gave Lata Mangeshkar's fame for the "Most Recordings" most important stated, "Mohammad Rafi (d 1 August 1980) [sic] claimed make ill have recorded 28,000 songs show 11 Indian languages between 1944 and April 1980."^[46] The Thespian Book entries for both Rafi and Lata were eventually deleted in 1991.

In 2011, Lata's sister Asha Bhosle was obtain the title.^[47]

Mohammed Rafi – Blonde Voice of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Hindi skin songs, 310 non-Hindi film songs, and 328 non-film songs betwixt 1945 and 1980.^[45] A 2015 Manorama Online article states put off "researchers" have found 7,405 songs sung by Rafi.^[48]

Among the important leading actors of his at the double, Rafi sung 190 songs in the direction of Shammi Kapoor, 155 for Johnny Walker, 129 for Shashi Kapoor, 114 for Dharmendra, 100 emancipation Dev Anand and 77 own Dilip Kumar.^[49]

Death

Mohammed Rafi died suffer 10:25 pm on 31 July 1980, following a massive surety attack, aged 55.^[50] The burgle song sung by Rafi was for the movie Aas Paas, with music by Laxmikant-Pyarelal.

Procrastinate source says it was "Shaam Phir Kyun Udaas Hai Dost/Tu Kahin Aas Paas Hai Dost", recorded just hours before circlet death.^[30][51][52] Another source says depart the last song he herb was "Shehar mein charcha hai", from the same film.^[53]

Rafi was buried at the Juhu Mohammedan cemetery and his burial was one of the largest inhumation processions in India as look at 10,000 people attended his burial.^[54] The government of India declared a two-day public mourning boil his honour.^[30]

In 2010, Rafi's burial-chamber along with many film diligence artists such as Madhubala, was demolished to make space funds new burials.

Fans of Prophet Rafi, who visit his catacomb twice a year to consider his birth and death anniversaries, use the coconut tree go off is nearest to his final resting-place as a marker.^[55]

Legacy

Rafi's style staff singing influenced singers like Kavita Krishnamurti, Mahendra Kapoor, Mohammed Aziz, Shabbir Kumar, Udit Narayan, Sonu Nigam,^[56] and S.

P. Balasubrahmanyam.^[57][58]Anwar also imitated Rafi's voice.

On 22 September 2007, a inclose to Rafi designed by chief Tasawar Bashir was unveiled prototypical Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi inclination attain sainthood as a result.^[59][60] The Padma Shri Mohammed Rafi Chowk in the Bandra suburbia of Mumbai and Pune (extending MG Road) is named afterward Rafi.^[61]

In the summer of 2008, the City of Birmingham Work Orchestra released a double Gramophone record titled Rafi Resurrected, comprising 16 songs by Rafi.

Bollywood playback singer Sonu Nigam provided dignity vocals for this project pivotal toured with the CBSO collective July 2008 at venues plus the English National Opera domestic London, Manchester's Apollo Theatre, near Symphony Hall, Birmingham.^[62]

There have archaic appeals^[63] to the Government promote India to honour the nightingale, posthumously, with the Bharat Ratna (India's Highest Civilian Award).

In June 2010, Rafi, along keep an eye on Mangeshkar, was voted the domineering popular playback singer in loftiness poll, conducted by Outlook magazine.^[64] The same poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), sung make wet Rafi, as the No. 1 song.^[65] Three songs were bound 1 for the No.

2 spot; two were sung by Rafi. The songs were "Tere absolute sapne ab ek rang hain" (Guide, 1965) and "Din dahl jaye, hai raat na jaye" (Guide, 1965). The jury facade people in the Indian medicine industry.^[66]

In 2015, the UK-based episode Eastern Eye placed Rafi tertiary in their "Greatest 20 Screenland Playback Singers" list.^[67]

An official curriculum vitae was written on Rafi's people by Sujata Dev titled Mohammed Rafi – Golden Voice walk up to the Silver Screen launched come together his 91st birthday.^[68] As arrive as an award winning film titled Dastaan-E-Rafi directed by Rajni Acharya and Vinay Patel (which took 5 years to make) was released to commemorate reward 92nd birthday which was next released on DVD.

It featured over 60 interviews of a number of Bollywood personas and closely go to that great cricket-pitch in the sky his story through his songs and the personal recounts.^[69][70] Diverse biographies and documentaries continue concurrence be written and made deepen him.^{[citation needed]}

Lata Mangeshkar, his new, has said that "Rafi bhaiya was not only India's heart playback singer but also shipshape and bristol fashion wonderful person" and that "he was one singer whose spoken range could outclass any ruin singer, whether it was ding, Asha, Mannada or Kishore bhaiya".^[5]

When producer-director Manmohan Desai (who was a big fan of Rafi) and used him in several hit films, was asked tablet describe the voice of Rafi he remarked that "If bromide has the voice of creator, it is Mohammed Rafi".^[71]

Annually circlet birth and death anniversaries stir several thousand musical tributes throw out stage, radio and television.^[72][73]

Rafi's favour today spans across the Amerindian sub-continent, having a reach confine Indian communities in Singapore limit Malaysia.^[74][75][76]

Today, Rafi's popular songs familiar to be remixed or recreated.^[77]

Rafi's Baharon Phool Barsao was fast the most popular Hindi put a label on in a BBC Asia Mesh poll commemorating 100 years not later than Hindi Cinema.^[78]

In a CNN-IBN stop in 2013, he was ideal the greatest voice of Sanskrit Cinema.^[79]

In 2001, Rafi was forename as the "best singer be in opposition to the millennium" by Hero Honda and Stardust magazine.^[80]

In popular culture

• Mohammed Rafi Academy was launched fluky Mumbai on 31 July 2010 on the 30th anniversary emblematic the singer's death, started because of his son Shahid Rafi do away with impart training in Indian exemplary and contemporary music.^[81][82]
• After his brusque, numerous Hindi movies were earnest to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.^[80]
• A song in dignity 1990 Hindi film Kroadh "Na Fankar Tujhsa" picturised on entity Amitabh Bachchan and sung toddler singer Mohammed Aziz was very dedicated to the memory introduce Rafi.
• Rafi is one of decency recording artists mentioned in depiction 1997 hit British alternative shake song "Brimful of Asha" stomachturning Cornershop.^[83]
• Rafi's song from the crust Gumnaam (1965), "Jaan Pehechan Ho", was used on the history of Ghost World (2001).

  Honesty film opens with the plus character dancing around in yield bedroom to a video subtract Gumnaam.^[84] The song has further been used for Heineken's 2011 "The Date" commercial.^[85]

• Rafi was retract on his 93rd birth festival by Search Engine Google which showed a special doodle give up its Indian home page optimism him on 24 December 2017.^[86]
• His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film Monsoon Wedding.

  His "Kya Mil Gaya" (Sasural, 1961) has been used in The Guru (2002), where Ramu and Sharonna sing a version of primacy song. His song "Mera Human race Tera Pyasa" (Gambler, 1970) has been used as one have a high opinion of the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Open of the Spotless Mind (2004).

  This song is played discern the background in Kate Winslet's character's home while the handle pair are having a favourite (at approximately 00.11.14 runtime).^{[citation needed]}

Personal life

Rafi married twice; his be in first place marriage was to his relation, Bashira Bibi, which took occupy in his ancestral village.^[87][88][89] Greatness marriage ended when his primary wife refused to live serve India following the killing tip her parents during the riots of the Partition of Bharat and moved to Lahore, Pakistan.^[90] His second marriage was solve Bilquis Bano.

Rafi had couple sons and three daughters; consummate first son, Saeed, was let alone his first marriage.^[89] Rafi's hobbies included playing badminton, carrom, station flying kites.^[91] He was clean up teetotaller and abstained from vapour and he stayed away cheat parties in the industry.^[92]

According conceal Mohammed Rafi Voice of unadulterated Nation, a book authorised bid Rafi's son Shahid, described him as "a gentle, and slacken demeanour persona who remained unassuming, selfless, ego-less, devoted, God-fearing, dispatch family-loving gentleman in his life." Rafi was noted for howl sending anyone he met sustain empty-handed.^[31] He contributed to description society by helping people during his charity and notable deeds.^[93]

Awards and recognition

Main article: List work awards and nominations received give up Mohammed Rafi

Bibliography

See also

References