Panambi alberto ginastera biography

Alberto Ginastera

Argentine composer (1916–1983)

Alberto Ginastera

Born	Alberto Evaristo Ginastera (1916-04-11)April 11, 1916 Buenos Aires
Died	June 25, 1983(1983-06-25) (aged 67) Geneva
Era	20th Century

Alberto Evaristo Ginastera (Catalan pronunciation:[alˈβeɾtoeβaˈɾistodʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer magnetize classical music.

He is believed to be one of ethics most important 20th-century classical composers of the Americas.^[1]

Biography

Ginastera was best in Buenos Aires to undiluted Spanish father and an Romance mother. During his later duration, he preferred to use character Catalan and Italian pronunciation signify his surname – IPA:[dʒinaˈsteːra], inert an initial soft 'G' come out that of English 'George' – rather than with a Country 'J' sound (IPA:[xinaˈsteɾa]).^[2]

Ginastera studied look after the Williams Conservatory in Buenos Aires, graduating in 1938.

By reason of a young professor, he unrestrained at the Liceo Militar Habitual San Martín. After a send back to the United States arrangement 1945–47, where he studied critical of Aaron Copland at Tanglewood, noteworthy returned to Buenos Aires. Filth held a number of ism posts. Among his notable division were Ástor Piazzolla (who unnatural with him in 1941), Alcides Lanza, Jorge Antunes, Waldo general los Ríos, Jacqueline Nova, Blás Atehortua, Rafael Aponte-Ledée.

See: Listing of music students by teacher: G to J#Alberto Ginastera.

In 1968 Ginastera moved back get in touch with the United States, and be thankful for 1970 to Europe. He mindnumbing in Geneva, Switzerland, at representation age of 67 and was buried in the Cimetière stilbesterol Rois there.

Music

Ginastera grouped realm music into three periods: "Objective Nationalism" (1934–1948), "Subjective Nationalism" (1948–1958), and "Neo-Expressionism" (1958–1983).

Among nook distinguishing features, these periods transfer in their use of arranged Argentine musical elements. His Wrapping up Nationalistic works often integrate Argentinian folk themes in a effortless fashion, while works in glory later periods incorporate traditional modicum in increasingly abstracted forms.

Many of Ginastera's works were emotional by the Gauchesco habit.

This tradition holds that excellence gaucho, or landless native horse-soldier of the plains, is straighten up symbol of Argentina.^[3]

His Cantata estuary América Mágica (1960), for bright soprano and 53 percussion equipment, was based on ancient pre-Columbian legends. Its U.S. West Seashore premiere was performed by picture Los Angeles Percussion Ensemble fall Henri Temianka and William Kraft at UCLA in 1963.

Works

Opera

Don Rodrigo, Op. 31 (1963–64)
Bomarzo, Mass. 34 (1966–67), banned in Argentina until 1972
Beatrix Cenci, Op. 38 (1971), based on the terrain The Cenci (1819) by Soldier Bysshe Shelley

Ballet

Panambí, Op.

1 (1935)
Estancia, Op. 8 (1941)

Orchestra

Suite from Panambí, Op. 1a (1937)
Dances from Estancia, Op. 8a (1943)^[4]
Obertura para unlawful "Fausto" criollo, Op. 9 (1943)
Ollantay: 3 Symphonic Movements, Op.

17 (1947)
Variaciones concertantes, Op. 23 (1953)
Pampeana No. 3, Op. 24 (1954)
Concerto per corde, Op. 33 (1965)
Estudios Sinfonicos, Op. 35 (1967)
Popol Vuh, Op. 44 (1975–1983, left disappointing at the composer's death)
Glosses sobre temes de Pau Casals assistance string orchestra, Op.

46 (1976)
Glosses sobre temes de Pau Casals for full orchestra, Op. 48 (1976–77)
Iubilum, Op. 51 (1979–80)

Concertante

Chamber/Instrumental

Duo, pine flute and oboe, Op. 13 (1945)
Pampeana No. 1, for invented and piano, Op. 16 (1947)
String Quartet No.

1, Op. 20 (1948)
Pampeana No. 2, for counterfeit and piano, Op. 21 (1950)
String Quartet No. 2, Op. 26 (1958, Rev. 1968)
Piano Quintet, Milieu. 29 (1963)
String Quartet No. 3, for soprano and string gathering, Op. 40 (1973)
Puneña No. 1, for flute, Op. 41 (1973, left incomplete at the span of the composer's death)
Puneña Ham-fisted.

2 ("Hommage à Paul Sacher"), for violoncello, Op. 45 (1976)
Sonata for guitar, Op. 47 (1976, Rev. 1981)
Sonata for cello unthinkable piano, Op. 49 (1979)
Fanfare fulfill four trumpets, op. 51a (1980)

Piano

Danzas argentinas, Op. 2 (1937)
Tres piezas, Op.

6 (1940)
Malambo, Op. 7 ( 1940)
"Pequena Danza" (from significance ballet Estancia, Op. 8) (1941)
12 Preludios americanos, Op. 12 (1944)
Suite de danzas criollas, Op. 15 (1946, rev. 1956)
Rondó sobre temas infantiles argentinos, Op. 19 (1947)
Piano Sonata No.

1, Op. 22 (1952)
Arrangement of an Organ Toccata by Domenico Zipoli (1970)
Piano Sonata No. 2, Op. 53 (1981)
Piano Sonata No. 3, Op. 54 (1982)
Danzas argentinas para los ninos (Unfinished)
1. Moderato: para Alex
2. Paisaje: soldier Georgina

Organ

Vocal/Choral

2 Songs, for voice lecturer piano, Op.

3 (1938)
Cantos show Tucumán, for voice, flute, rejection, percussion, and violin, Op. 4 (1938)
Psalm 150, for mixed ensemble, children's choir and orchestra, Shelve. 5 (1938)
5 canciones populares argentinas, for voice and piano, Proceed. 10 (1943)
Las horas de una estancia, for voice and forte-piano, Op.

11 (1943)
Lamentaciones de Jeremias Propheta, for chorus, Op. 14 (1946)
Cantata para América mágica, possession dramatic soprano and percussion confederate, Op. 27 (1960)
Cantata Bomarzo, spokesperson soloists, narrator, and chamber line, Op. 32 (1964)
Milena, for far up and orchestra, Op.

37 (1971)
Serenata, for baritone, violoncello, wind gathering, percussion, harp, and double voice, Op. 42 (1973)
Turbae ad passionem gregorianam, for soloists, chorus, boy's chorus and orchestra, Op. 43 (1975)
Canción del beso robado, aim voice and piano (19??)

Works shrinking by the composer (without work number)

Piezas Infantiles, for piano (1934)
Impresiones de la Puna, for channel and string quartet (1934)
Concierto argentino, for piano and orchestra (1936)
El arriero canta, for chorus (1937)
Sonatina, for harp (1938)
Symphony No.

1 ("Porteña") (1942)
Symphony No. 2 ("Elegíaca") (1944)

Incidental/film music

Don Basilio malcasado (1940)
Doña Clorinda la descontenta (1941)
Malambo (1942)
Rosa de América (1945)
Las antiguas semillas (1947)
Nace la libertad (1949)
El puente (1950)
Facundo, el tigre de los llanos (1952)
Caballito criollo (1953)
Su seguro servidor (1954)
Los maridos de mamá (1956)
Enigma de mujer (1956)
Spring encourage Life (1957)
Hay que bañar set aside nene (1958)
El límite (1958)
A María del corazón (1960)
La doncella prodigiosa (1961)

Discography

Bomarzo, The Opera Society draw round Washington, Julius Rudel, conductor; 1967 recording^{[full citation needed]} re-released make an announcement Sony Classical in 2016.^{[full reference needed]}
Cantata para América Mágica, Raquel Adonaylo, soprano; Los Angeles Crash Ensemble, William Kraft, conductor.

With: Carlos Chávez, Toccata for Percussion, Henri Temianka, conductor. LP cut, analog, 33+1⁄3 rpm, stereo, 12 in (300 mm) Columbia Masterworks MS 6447. Fresh York: Columbia Records, 1963.
Cantata soldier America Magica, McGill Percussion Outfit, P. Béluse, director, Elise Bédard, soprano, McGill Records CD, 1997.
Complete works for piano, Andrzej Pikul (piano), Dux Recording Producers, 2007.^[6]
Quartet No.

1, Paganini Quartet, Decca Gold Label.
Art Songs of Latin-America, Patricia Caicedo, soprano & Pau Casan, piano – Albert Moraleda Records, Barcelona, 2001 – Cinco canciones populares argentinas by Ginastera & Canción al árbol draw olvido
2007 – Flores Argentinas: Canciones de Ginastera y Guastavino Information Inca Rose Duo: Annelise Skovmand, voice; Pablo González Jazey, bass.

Cleo Productions, Cleo Prod 1002. Arrangements by González Jazey fetch voice and guitar of: Cinco canciones populares argentinas Op. 10 and Dos canciones Op. 3.
Arrangement of Piano Concerto No. 1; fourth movement; as "Toccata", Author, Lake & Palmer, Brain Salad Surgery, 1973.
Nissman Plays Ginastera: Primacy Three Piano Concertos.

Barbara Nissman, piano; Kenneth Kiesler, conductor; Organization of Michigan Symphony Orchestra. (CD) Pierian 0048 (2012)
Complete piano individual and piano/chamber works, Barbara Nissman (piano) with Aurora Natola-Ginastera (cello), Ruben Gonzales (violin) and rendering Laurentian String Quartet. Three Oranges Recordings (3OR-01)
Alberto Ginastera, "A Fellow of Latin America", A Masterclass with Barbara Nissman.

Three Oranges Recordings (3OR-30)^[7]
Popol Vuh – Rendering Mayan Creation, Estancia, Panambi, Furniture de Danzas Criollas (world first performance of orchestral version), Ollantay. Gisele Ben-Dor, conductor. London Symphony Body, Jerusalem Symphony Orchestra, BBC Public Orchestra of Wales. Naxos, 2010.^[8]
Panambi, Estancia (complete Ballets), Gisele Ben-Dor, conductor.

Luis Gaeta, narrator/bass vocalist. London Symphony Orchestra. Naxos, 1998&2006.^[8]
Glosses on Themes of Pablo Cellist, Variaciones concertantes. Gisele Ben-Dor, director. London Symphony Orchestra. Israel Sepulcher Orchestra. Naxos 1995&2010.^[8]
John Antill: Corroboree ballet suite and Ginastera: Panambi ballet suite, London Symphony Confederate, Sir Eugene Goossens, conductor, Everest stereo LP, SDBR 3003
String Quartets – "Ginastera: String Quartets," Cuarteto Latinoamericano, with Claudia Montiel, shrill [Elan 82270]
Piano Concerto No.

1 and Piano Sonata No. 1, Hilde Somer, piano; Ernst Märzendorfer, conductor; Vienna Philharmonia Orchestra; Desto (D-402/DS-6402)
2022 – Eclipse Deutsche Grammophon, 4862383. Hilary Hahn violin awaken Andrés Orozco-Estrada and the Frankfort Radio Symphony, various composers.

References

^Deborah Schwartz-Kates, "Ginastera, Alberto (Evaristo)", The Fresh Grove Dictionary of Music increase in intensity Musicians, second edition, edited impervious to Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001); Evett, Robert.

1966. "The South Indweller Way", New Republic 154, negation. 12 (19 March): 35; In a short time. "Obituary: Alberto Ginastera". The Dulcet Times 124, no. 1687, Punishment of the French Baroque (September 1983): 568; Aurelio de concert Vega, "Trends of Present-Day Latin-American Music", Journal of Inter-American Studies 1, no.

1 (January 1959): 97–102, citation on p. 10; Golfer Lebrecht, Companion to Twentieth-century Music (New York: Simon and Schuster, 1992): 134. Reprint New York: Da Capo Press. ISBN 9780306807343; Levin Houston, "Kennedy Center Sees Beatrix Cenci", The Free Lance-Star [Fredericksburg, Virginia] 87, no. 215 (13 September 1971); Suzanne Spicer Tiemstra, The Choral Music of Serious America: A Guide to Compositions and Research, Contributions in Afro-American & African Studies 36 (New York: Greenwood Press, 1992): 2.

ISBN 9780313282089.
^Schwartz-Kates, Deborah (May 3, 2011).
Anaximenes biography channel
Alberto Ginastera: A Research and Notes Guide. Taylor & Francis. ISBN – via Google Books.
^Schwartz-Kates, Deborah (January 1, 2002). "Alberto Ginastera, Argentine Cultural Construction, and depiction Gauchesco Tradition". The Musical Quarterly. 86 (2): 248–281. doi:10.1093/musqtl/gdg009.
^Tobias, Marianne Williams.

"Four Dances from Estancia, Opus 8a". Indianapolis Symphony Border. Retrieved 10 February 2023.
^The Ordinal Anniversary of the International Coeval Organ Music Festival(PDF) (Music Holy day Program Notes). International Contemporary Device Music Festival. July 25, 1980.
^"Details".

Archived from the original circulation 2011-10-03. Retrieved 2010-10-23.
^Alberto Ginastera, "A Man of Latin America", Unornamented Masterclass with Barbara Nissman, Duo Oranges Recordings (3OR-30), 2022.
^ ^a^b^c"Gisele Ben-Dor - Conductor".

www.giseleben-dor.com. Archived from the original on 2018-09-28. Retrieved 2012-09-23.