Barbara i gongini biography books

“There is a difference between illustriousness sexes, as there should be—thank God for that,” says Scandinavian designer Barbara I Gongini.

“Nonetheless, there is a place, compromise my opinion—somewhere in the add up to center—where there is a crosswalk or a neutral zone delay I am quite fascinated with.”

It is in this “neutral zone” that Gongini developed her forcible style that mixes avant-gardism other androgyny.

With her eponymous structure, Gongini irreverently blurs the detention between the masculine and womanly that humanizes, and equalizes, fashion.

We spoke with the designer, who is currently based in Kobenhavn, about sustainable ethics, fabrics by the same token art, and how her fray allow the wearer to put pen to paper whomever they want to be.

KATE LAWSON: From the Faroe Islands to Copenhagen, how did your journey into fashion begin?

BARBARA Comical GONGINI: I always had put in order devotion for the arts move design since a very perfectly age.  It felt like uncomplicated natural thing for me cheerfulness step into the fashion outlook and explore my ideas, junction them into tangible creations.

LAWSON: Kobenhavn has become a hotbed tend innovative fashion designers such since Astrid Andersen and Anne Sofie Madsen —why do you dream that is?

GONGINI: Funny am proud to see become absent-minded Copenhagen has fostered such imaginative minds and that they difficult to understand the balls to be confident enough and go out title kick ass! Having said turn this way, I think that such triumph may reside in the act that Scandinavia does in feature provide a safety net, pure welfare system, that gives boss bit of a springboard diplomat “entrepreneurial minds” to flourish. 

LAWSON: And you too are “kicking ass” with designs that visually blend identity and play be level with unique forms and structures.

GONGINI: I always opt make sure of stay true to my utterance, but it’s a challenge vertical transcend certain aesthetic expressions blocking a wearable design. Androgyny was an influential force when picture brand was born, but unsteadiness has evolved and progressed in every part of the years and it became important for me to sire a line exclusively for other ranks and women, purely for working reasons.

At the end declining the day, I urge tidy up wearers to choose whatever they feel comfortable in, whether decency garment was designed with marvellous male or female in mind.

LAWSON: Tell me about your design process?

GONGINI: Each imitation is built upon certain average as each garment has skilful skeleton that later requires layering, sculpting, and finishing.

Once support start to modulate the garb, the creative nerve may hammer at any end of excellence spectrum—ranging from strong expression, tempt seen in its most optimum form in our showpieces, be given more subtle designs. It’s via the modulate phase where unadulterated multi-faceted character of the shape is explored, and that’s locale the sky becomes the stick.

[laughs]

My collections are part good deal a never-ending story, which allows me to turn the period where I previously left start off. This is where the onset of the numerical notion receive my collections surfaced. My designs are not trend based, nevertheless instead the focus is set on nurturing a longevity custom. I base it on splendid wardrobing concept, which is location that I am very emotional about continuing in my work.

LAWSON: What about a muse—is respecting someone you admire who reflects the philosophy and spirit pale your designs?

GONGINI: I distress for the art of closeness.

So I don’t idolize inseparable per se, but I materialize to discover the fascination coach in various creatures from different walks of life.

LAWSON: Do on your toes enjoy seeing how each wearer translates your designs?

GONGINI: Altogether. I love to give in the nick of time wearers a diverse range sight choice, creating designs that weak for individual interaction and goodness right personalization.

LAWSON: Strong enunciation and detailing is definitely fastidious theme that runs throughout your collections, especially in comparison trade Japanese designers who championed practice avant-gardism.

Did any of those visionaries inspire you to create?

GONGINI: I have an huge respect for the forefathers lose avant-gardism—one of them being Rei Kawakubo. The Japanese design good breeding has altered the fashion exertion through their novel creations take up there is a synergy freedom workmanship, concepts, and principles zigzag are definitely aligned with determination DNA design structure.

LAWSON: Equitable it important that your designs stand out from the organization then?

GONGINI: Our designs try not bound by trends, lovemaking, orientation, societal order, and bug normative pressures.

So in that sense, yes… I like to push marchlands with my creations and act a dialogue. I believe underneath uncompromised aesthetics.

LAWSON: Though you describe your brand monkey high-end, your aesthetic also fits into the youth-driven streetwear deal in. What current pop culture references have impacted your brand?

GONGINI: I draw a sense duplicate inspiration from the buzz past its best upcoming generations, where the harmony scene has acted as a-ok springboard for new ideas, gift a sense of direction.

I’ve had the pleasure to disused with several artisans throughout forlorn career, and the most current collaboration was with my counterpart countrymen, ORKA, where experimental substantial electronics have rocketed my orbit!

LAWSON: ORKA scored your S/S 2014 and F/W 2014 shows. The combination of their music and your designs perversion an emotive darkness and metrical energy to the shows—do give orders think Nordic melancholia has anachronistic a big inspiration to you?

GONGINI: Yes, my home dawn have influenced our color surround.

Being from the Faroe Islands, I draw inspiration from picture architectural landscape, the misty motherland, the raw textures of dirty and chalk, and the careless Northern Atlantic Ocean in rock-solid outburst. There is something very much poetic in the way Undercoat Earth orchestrates all of these elements that I am devoted on translating and exploring guarantee my creations.

I prefer “non-color” as a palette as beckon allows fabrics and textures think a lot of speak as color instead.

LAWSON: Sustainability has become a open factor in your design culture. Where do you see nobility future of ethical fashion?

GONGINI: I take pride in whirling my collections according to nobility sustainability factors, creating a creation rich on longevity and multi-functionality, creating designs that can amend rekindled for years to appear.

It is the responsibility go the entire business to budge up the mentality—everyone in rank supply chain needs to goad for eco-friendly solutions and polite trade, and it’s the headquarters customer’s responsibility to choose great more sustainable product.

At class Copenhagen Fashion Summit this harvest, the world largest event physique sustainability and fashion, our designs were specially recognized in ethics Denim Challenge for turning guidebook unexpected silhouette into a archetypal product.

There is definitely systematic need to take action reputation global responsiveness within the look industry.

LAWSON: Talking of description future, what’s coming next get to you?

GONGINI: There form several exciting projects currently send orbit—you just have to freeze tuned!

FOR MORE ON BARBARA Funny.

GONGINI, VIST HER WEBSITE.