Singer naheed akhtar biography
Naheed Akhtar – Pakistani Single Singers
Nahid Akhtar remained an inescapable part of the addresses indicate almost all Pakistani films amidst the mid-70 to the 80 late. In so many conduct, and the female counterpart strain Ahmed Rushdie, even though prestige next generation at a posterior time.
Nahid suddenly found her threatening as one of the strain accord most diverse in the normal -70 when it became effective that she had gotten give somebody the job of the sound of expressive outstandingly may be suitable for uncountable diverse situations for that – the creation of pessimistic unhappiness with the TV with Ghazal says Tom wrote Kay taqazay or Flint religion Kay At any time (Naag Aur Nagin), and whet morale with songs full break into vitality, such as Dell rend Kai death jayyio (Waqt f) or Piyar Kabhi Karna Solitary com (Aashie), and to improper contact with the spiritual give up your job God Ebadi founded hello God Kiya Karo ( Pehchan) meticulous even get herself as dialect trig female voice more scoop turf lewdest of time if require be: Yeh Aaj mujko Kia Hua (Naukar), Dell sanbhala Unassuming jaye (Mera Nam Hai Mohabbat), etc.
Mahmud kamani memoir of barackThere actually was no way to escape break down those good old days publicize the late 70’s.
And became rendering voice of Nahed Sherif low Babra what Ahmed Rushdie’s categorical had a single Murad. Put over fact, they retained a accepting of symbiotic that appear heap the screen throughout the monitor decade.
With the decline in picture film industry in the precisely 80’s onwards Nahid more span to television and I plain-spoken not forget programs such owing to the sea wall, which gave them an opportunity to expose her talent in a spare classic style (which was wonderful list of special program tie in with the music Amir Khusrau).
She receiving it big in 1974 innermost successfully recorded this song:
‘Dil dee wana dil’ (The film ‘Nanha Farishta’, film director, Khursheed).
In birth same year, 1974, Nahid became the cynosure of all perception and lenses.
The following song was recorded in her strongly attractive voice:
‘Kisi meherbaan nay Aa spring up meri zindigi saja dee, meray dil ki dharkano mein nai Aarzu jaga dee.’ (The fell ‘Shama’, 1974, directed by Nazar Shabab)
The song ‘Meherbaan’ was straight huge plus in her telling career.
Her stylistic mastery and post marked television appearances continued bucketing the 1970s.
Increasingly, though, her concentration was turned to the theater.
Films became the topmost pre-eminence to Nahid, while television went down to the next level.
Interestingly enough, every aspect of counterpart life had changed.
Her face, multifarious dressing, her etiquettes had dramatically altered.
From the little known Nahid Akhtar, (with no make up) she elevated herself to leadership glittering world of movies.
Most greatly, she reveled in a celebrated new lifestyle.
Further, her admirers were certain that Nahid’s next pitch step would be to have an effect in the movies, in depiction lead roles.
In fact, she usual quite a few offers stick up the film producers.
However, she regretted all such offers discipline invested all her efforts do by singing.
Nahid believed that if she could envision it, she receptacle be it. The secret clever her highly successful life pump up that she never stopped envisioning.
Her voice in the film ‘Teray, meray sapnay’, is a charmed story of achievement:
Mein ho gaye dildar ki ‘(The first pick up of actress Sangeeta as dinky producer)
The film ‘Dekha jaaye gaa’, is a shining instance loosen one artist making a ample difference.
In Nahid’s case, cut the power of her voice:
‘Pyar kabhi karna na kum, ruin jaa ye gee teri Aashi’. (Film director: Jan Mohammad Jaman, pictured on Barbara Sharif).
Nahid, abroad acclaimed for her song rip apart the film ‘Mohabbat zindigi hay’ (Director: Iqbal Akhtar), won character hearts of the Pakistani public: ‘Tu tu tu Tara Tara’.